Other music

[asthmatic camel]

I never could play the Jew's harp, I could only drum:

--J.D.

Faggot.

When I play the drums, I play 'em good....

[Doctor X]

Yeah, but you could never drive like me:



--J.D.

[Grammatron]

Well this settles it then

[Doctor X]

Indeed!

It is a Manly Art!

Fortunately, some Men help some chick as she flailed at a wheelbarrow after listening to too much Chumbawamba.



--J.D.

P.S. My

Spoiler:

Which is significant.

th Post!

[asthmatic camel]

I win.

[Doctor X]

What are you? Deaf? [Stop that.--Ed.]

Meh, actually, they pretty much all sound the same.

You lose.

--J.D.

[Witness]

[Doctor X]

--J.D.

[Witness]

Sounds from the past: young Bach's Capriccio sopra la lontananza del suo fratello dilettissimo (Capriccio on the departure of his beloved brother). Kind of "descriptive music". Especially the last part, Fuga all'imitazione della cornetta di postiglione (Fugue in Imitation of the Postilion's Horn); with just a bit of imagination you see the stage-coach.

[Doctor X]

--J.D.

[Witness]

If you don't know what it is: Mixolydian mode (or scale).

[Abdul Alhazred]

... Leonard Bernstein, Kinks ...

I'm vaguely remembering something.

...

I love the internet.




Edited to adjust video formatting

[Witness]

Sounds from the past: Clément Janequin, Voulez ouÿr les cris de Paris ? (Do you want to hear the shouts of Paris?). How sellers on the Renaissance markets tried to attract customers:

Clément Janequin (c. 1485 in Châtellerault, Vienne -- 1558 in Paris) was a French composer of the Renaissance. He was one of the most famous composers of popular chansons of the entire Renaissance, and along with Claudin de Sermisy, was hugely influential in the development of the Parisian chanson, especially the programmatic type. The wide spread of his fame was made possible by the concurrent development of music printing. Janequin's career was highly unusual for his time, in that he never had a regular position with a cathedral or an aristocratic court. Instead he held a series of minor positions, often with important patronage.

More details on the YT page.

Next up: The cries of London.

[Anaxagoras]

[ed]

Sounds from the past: young Bach's Capriccio sopra la lontananza del suo fratello dilettissimo (Capriccio on the departure of his beloved brother). Kind of "descriptive music". Especially the last part, Fuga all'imitazione della cornetta di postiglione (Fugue in Imitation of the Postilion's Horn); with just a bit of imagination
magic mushroom you see the stage-coach.

fify

[Anaxagoras]

[Witness]

The Heavy Metal Solution to Conflict in the Middle East

In a music video from Orphaned Land's new album, a Muslim woman and an ultra-Orthodox Jewish man find common ground: Metal

Many rock bands are turned off by tags and definitions, but Orphaned Land defines itself proudly: oriental metal. That’s true, but it doesn’t take into account the full, breathtaking range of the band.

https://www.haaretz.com/israel-news/cul ... -1.5792825

Didn't search for that particular video, but this one made me laugh:



Miracle of the Orient: cheesy, syrupy metal!

[Witness]

E un annuncio speciale per Abdul:

Canzone Italiana is a platform allowing users to listen online to the invaluable musical heritage of over a century of Italian song, from 1900 to 2000, created with the objective of bringing this important part of Italian culture to a multigenerational audience. The distinguishing feature of the portal is the organization following chronological, analytical and reasoned criteria of an audio and discographic production that is at present unsystematically organized or scattered, especially on the web.

http://www.canzoneitaliana.it/?___store ... m_store=it

[Doctor X]

--J.D.

[Doctor X]

The r34lz Ian Paice:



Sorry to make you all cry.

--J.D.